Alien Message Movie: A Review Of The Invasion
Sunday, March 30th, 2008Why is the alien-social commentary movie “The Invasion” earning bad reviews from film buffs and spelling out bad news for Nicole Kidman’s career?
Nicole Kidman is one of the most beautiful and talented women in the world and she has a reported 17 million dollars in the bank to reinforce her self-esteem. That astronomical sum was paid to Nicole for her performance in The Invasion, a modern day and heavy handed interpretation of Invasion Of The Body Snatchers.
The source material, as well as the film technique used by director Oliver Hirschbiegel, effectively capitalizes on the simple yet creepy concept that someone you know and love could be “fine” and yet not so fine internally. A person whose body was snatched would still be “fine” in the physical and logical sense. But his or her behavior would be made autonomous, almost robotic, and this person would gradually start to lose all of that passion that makes humankind a civilization at once great and seriously flawed. Nicole Kidman plays Carol Bennell, a Washington psychiatrist who is at the forefront of this alien epidemic. She is also a concerned mother and believes her gifted son might be the only way that the invasion can be stopped.
This is certainly a familiar plot and one can hardly complain that the movie is cliched, since we all know how Invasion Of The Body Snatchers goes. Unfortunately, this movie was released shortly after 28 Days Later, another body snatcher type movie that was much more effective in its suspense sequences. Feeling the compromised horror of The Invasion will only make you long for better-directed films. Though Hirschbiegel has shown startling maturity in his early film works, The Invasion is ineptly handled. Nicole Kidman alternates between moments of stunted Stepford Wife winces and embarrassingly melodramatic meltdowns. As shallow as Batman Forever was, her performance as psychologist Chase Meridian was spunky and calculating - amazingly, far more complex than Carol Bennell is allowed to be.
Then again, Nicole Kidman’s 17 million dollar performance may be saved by the fact that Kidman is somehow able to keep a straight face throughout this tacky message movie, with a pretentious screenplay by Dave Kajganich more reminiscent of Plan 9 From Outer Space than of Jack Finney’s original 1956 manuscript. Characters who are overtaken by aliens act as if they are born-again Christians with their enthusiasm in check, not so much like hostile impostor humans. In fact, that’s one of the issues the movie raises at some grandiose point: why is everyone complaining about alien invasion, when such mass conformity will result in less violence and more peaceable worldwide solutions?
Why just look at the war in Iraq, the movie suggests - yes, with a straight face. From the moment in The Invasion when you hear that alien imposters have withdrawn U.S. forces from Iraq, you realize that this movie is about as subtle as a South Park episode, and only slightly less preachy for that matter. The only problem is - and most likely why movie is receiving scathing reviews and prophecies of doom for Nicole Kidman’s A-list career - is because The Invasion is a film that lacks not only appropriate humor, but a logical perception of how all of this must feel to a nation of partisan-anarchists. The second most absurd line in the film is when an alien-man makes an impassioned (yet level headed) speech about how body-snatching is not so far removed from psychiatry practice. Nicole still loves you, Tom!
The Invasion follows in the gloomy shadow of Spielberg’s War Of The Worlds, another box office disappointment though one far less abysmal than The Invasion, which cost 100 million to make and only recovered 7.5 million in its opening week. War Of The Worlds emphasized mass destruction against human beings, while The Invasion advocates a more diplomatic resolution. And though the aliens tried to reason with humankind, particularly Americans, it was inevitable that peaceful resolution just wasn’t going to happen with a race this impudent. The message behind The Invasion makes one recall the immortal words of Eros from Edward D. Wood Jr’s own alien invasion-social commentary: “You see? You see? You’re stupid minds! Stupid! Stupid!” Grade: D